I approached the interior design with respect for the functionalism and applied art of the 30s. After all, designing the interior of Fuchs' villa caused me a certain sense of responsibility from the beginning. I put the greatest emphasis on detail and atypical, author's production. I was looking for connections between my work and functionalism. I implemented elements of minimalism into the villa and subsequently deliberately disturbed their harmony, experimented and created various surprises and jokes. As was also the case in functionalism, I was not afraid of using rich colors and distinctive structures of stone, of which 8 types were used in the villa. They are with distinctive walnut and ash veneer and terrazzo, with 2 exceptions, the only patterns used in the house. When designing, I kept the truth of the materials and structures used.